For our design, we draw on a photograph of the broadcasting house, designed by Rolf Gutbrod, which we have transfigured by converting it into a raster image and paring back the colour palette to blue and white. This creates a vertical gallery of twelve dynamic floor signs. Abstraction and alienation give each of the large-format circles their own artistic quality. The digital-looking moirés symbolise the plurality and progressive orientation of SWR. As pixel landscapes, they create digital worlds, and conjure up associations with test and interference images on television. We pick up on this static noise in the illuminated ceiling elements, which bring an additional dynamic into the corridors and lift lobbies of the building with their irregular, yet ordered grid structure.